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_the-dead-don39t-hurt-trailer-viggo-mortensen.webp "THE DEAD DON’T HURT is a story of star-crossed lovers on the western U.S. frontier in the 1860s. Vivienne Le Coudy (Vicky Krieps) is a fiercely independent woman who embarks on a relationship with Danish immigrant Holger Olsen (Viggo Mortensen). After meeting Olsen in San Francisco, she agrees to travel with him to his home near the quiet town of Elk Flats, Nevada, where they start a life together. The outbreak of the civil war separates them when Olsen makes a fateful decision to fight for the Union. This leaves Vivienne to fend for herself in a place controlled by corrupt Mayor Rudolph Schiller (Danny Huston) and his unscrupulous business partner, powerful rancher Alfred Jeffries (Garret Dillahunt). Alfred’s violent, wayward son Weston (Solly McLeod) aggressively pursues Vivienne, who is determined to resist his unwanted advances. When Olsen returns from the war, he and Vivienne must confront and make peace with the person each has become. Both a tragic love story and a nuanced depiction of the conflict between revenge and forgiveness, THE DEAD DON’T HURT is a portrait of a passionate woman determined to stand up for herself in an unforgiving world dominated by ruthless men.<br/><br/>The Dead Don't Hurt is in US cinemas on 31st May 2024. It then opens in UK and Irish cinemas on 7th June 2024.<br/><br/>Written By: Viggo Mortensen<br/>Co-Producers: Gia Galligani, Angela Blair.<br/>Director of Photography By: Marcel Zyskind, DFF<br/>Production Design By: Carol Spier, Jason Clarke<br/>Edited By: Peder Pedersen<br/>Costume Design By: Anne Dixon<br/>Composer: Viggo Mortensen<br/><br/>Starring Vicky Krieps, Viggo Mortensen, Solly McLeod, Garret Dillahunt, Colin Morgan, Ray McKinnon, W. Earl Brown, newcomer Atlas Green, and Danny Huston<br/><br/>Directed By Viggo Mortensen<br/><br/>Produced By Regina Solórzano of Talipot Studio, Jeremy Thomas of Recorded Picture Company, and Viggo Mortensen of Perceval Pictures.<br/><br/>Executive Produced By<br/><br/>Roberto Paxson, Gabriel Terrazas, Ivan Kelava, Daniel Berkerman, Jesper Morthorst, Paula Astorga Riestra, Peter Watson<br/><br/>")
_videos-showing-sexual-exploitation-of-somali-women-shared-online.webp "Channel 4 News")
_wow-somali-hooyo-on-another-level-follow-us-sexymulticulturalgirls7719.webp "Sexy Multicultural Girls")
⏲ 1 minute 42 seconds 👁 7.2K
_woman39s-shock-after-finding-south-american-monkey-in-her-conservatory-at-home.webp "A woman was left 'hysterical' after discovering a South American marmoset monkey in her conservatory at her home - in Wolverhampton. <br/><br/>Animal rescuers were called by the \")
_somali-girl-showing-her-longest-and-sexy.webp "Sexy Multicultural Girls")
_ion-know-what-she39s-doingshorts-somalitiktok.webp "Somali Entertainment")
_she39s-not-my-39child39-we39re-lovers-124-love-don39t-judge.webp "WE first met Lizzy Long Legs on truly's Dating Different and now she's back - but this time she's dating fellow content creator, Candie Dixon. Speaking to Love Don't Judge, Lizzy said: \")
_somali-women-the-most-beautiful-women-in-the-world-5-reasons-why.webp "AfroArtista Films")
_rep-ilhan-omar-faces-calls-to-resign-in-disgrace-over-speech-in-support-of-somalia.webp "New York Post")
⏲ 48 seconds 👁 33.6K
_krishna-vrinda-vihari---full-movie---romantic-love-story---naga-shaurya-shirley-setia.webp "The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib")
⏲ 2:18:48 👁 165K
_cute-somali-girl-sexy-figure-dancing-please-subscribe-like-and-share.webp "Sexy Multicultural Girls")
_diaspora-somali-girls-are-on-another-level-sexy.webp "Sexy Multicultural Girls")
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